Natisu Cadenasso
Sala SCD Bellavista
Thursday March 17, 2011 22:00
$ 2,000
Sala SCD Bellavista
Thursday March 17, 2011 22:00
$ 2,000
Another show to midweek association in SCD and other sound that draws attention, Cadenasso has positioned these preresentaciones that are going to sporadic intermittent each time in the company of a proposal that wanders 
similar patterns without being directly the same sounds, groups charged that although the name of the person who leads by far become collective appeal to the sum of all its elements Here Suaxo Natalia's music and company, decanted as Natisu who is capable of mixing the sensitivity of the female voice with a thunderous force, simple songs about a sound that no sun explodes orwith sequences and the acoustics of Natisu, if not having a force coiling from the bottom of the battery Ormazabal, bass and guitars Pierattini Morel, setting a mark that leaves a mark, a sound that appeals to primitive instincts at high sensitivities at the same time, and a set of just over 40 minutes with a loud hits close growing, bursting with 
extended from the time you have a force everywhere style improvisation. Cadenasso low revolutions, as always with the faithful company of Planet, and Martinez Quinteros, giving life and sometimes small fresh start to the various songs of The Movement, those tunes full of emotion and melancholy, the child cry Another Round, the Carousel tenderness and sacredness of the same, as is usual with that irreplaceable acoustic sound of piano and bass, the mixtures of percussion and vocal strength that makes this proposal a while ago be left to become solo quartet.
similar patterns without being directly the same sounds, groups charged that although the name of the person who leads by far become collective appeal to the sum of all its elements Here Suaxo Natalia's music and company, decanted as Natisu who is capable of mixing the sensitivity of the female voice with a thunderous force, simple songs about a sound that no sun explodes orwith sequences and the acoustics of Natisu, if not having a force coiling from the bottom of the battery Ormazabal, bass and guitars Pierattini Morel, setting a mark that leaves a mark, a sound that appeals to primitive instincts at high sensitivities at the same time, and a set of just over 40 minutes with a loud hits close growing, bursting with 
extended from the time you have a force everywhere style improvisation. Cadenasso low revolutions, as always with the faithful company of Planet, and Martinez Quinteros, giving life and sometimes small fresh start to the various songs of The Movement, those tunes full of emotion and melancholy, the child cry Another Round, the Carousel tenderness and sacredness of the same, as is usual with that irreplaceable acoustic sound of piano and bass, the mixtures of percussion and vocal strength that makes this proposal a while ago be left to become solo quartet. 
Natisu
1. In this part of I
2. Moths in the Afternoon
3. Miles City
4. Rituals
5. Vulture
6. Clonazepam
7. Disable
8. Time
Cadenasso
1. No wonder
2. In Japan
3. The Same
4. Where
5. Spider
6. The Commissioning
7. Carousel
8. The Movement
9.
Another Round 10. The Forecast / Conviction
11. Dias de Alegria
1. In this part of I
2. Moths in the Afternoon
3. Miles City
4. Rituals
5. Vulture
6. Clonazepam
7. Disable
8. Time
Cadenasso
1. No wonder
2. In Japan
3. The Same
4. Where
5. Spider
6. The Commissioning
7. Carousel
8. The Movement
9.
Another Round 10. The Forecast / Conviction
11. Dias de Alegria
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