01/12/2011 VA - Chilean Festival in Viña del Mar, 09/01/2011 
Gepe Nano Stern Manuel Garcia
Chilean Festival in Viña del Mar
Frontis Teatro Municipal de Viña del Mar
Sunday January 9, 2011 21:00
Free Admission
Admittedly, the picture varies between Valparaiso and Vina del Mar, was the fact that they are next to each other with boundaries that merge and intersect, in Viña del Mar is a less lively, more Sunday, coincidentally, with a much more adult audience, but no less participatory than seen in port, because there is no song of the 3 musicians that people do not clap and even the most knowledgeable accompany the voices, softly as not to break the single bond that weaves, applauding wildly when they finish, so a large crop Gepe standing ovation with more folk repertoire where blanks to guitar, keyboard and drums showing his last album with alphabetically and by the window, opening the second night of the festival, with a greater degree of concurrency, which ends being closed the street from the Municipal Theatre to make room for those who did not withdraw the invitations in the same theater. Nano Stern impressive, with the energetic roller coaster that is his show, with force and tenderness Mirrors Cloud, who with his guitar than twelve opens its part of the show with two singers at a frantic Pegaditas needed a song to take advantage stage and radio transmission to send a message to the audience with The Flames of Impotence and What We Weave Weave, inspired and dedicated to the latest national developments and the current policy of the country. Garcia closed the night, and the festival, with a celebrated acting, both in the more intimate the beginning of the show with Your Window, Talking to You and the beautiful version Deja La Vida Volar Victor Jara and a bass solo acoustic Gonzalo Canales estate, and the block dance with the reproach, have what Burns and The Dance of the Dragonflies, a top rocker where he plays and Watch The Big Capital to leave the stage, signal that the public begin to disperse as if it were an improvised number in the middle of the street that suddenly ends. Massive, free outdoor examples showing that culture belongs to the street, the people who take public spaces with respect and decency.
result, songs full of small details, instruments that act as catalyst of environments and emotions, one side more acoustic bass, piano and percussion company, the other electric guitars, bass and effects-laden battery lasts an initial introducion sentimental melodies and melancholy of Cadenasso strongly, followed by night on the town are the songs Quinteros, hour and a half in total of a show together, in a symbiosis where one supports the other with piano and vocals, and then as 
return the other hand takes the electricity charged to the slide as a component of songs . Cadenasso runs his album The Movement, rescuing the beautiful Carousel on purpose of which premieres video, adding to their songs off the plate as sacred the same, the instrument The forecast can be found as an intro to your video Convicion online and in Japan, after giving way to Quinn and band to reinterpret the Holy Days, along with a country for Ahi Van, Fiesta and rockerisima Pay Official Brand, to end the night with Leo only Pennsylvania playing on stage and The Vine. Tremendous duo, to be repeated. 
Cadenasso 
Jorge Gonzalez 
Gepe 
Leo Quinteros 
Fakuta & The Laura Palmers 
National Salon of Technology, where the cello and adorned Vista State with an excess of confidence and positioning on stage you'll quickly see, Gepe stops the drums and the guitar picks to deliver two separate issues such as out the window and Celosia, exudative e ntregando dynamism energy he needed to warm later. Then take possession of the stage former Denver duo, who are accompanied by a large band, where it shines best is a duet bronze GONE shines not only songs from his last plate as Diane Keaton and bikers, but renewed fear running into you in a key less intimate and more danceable, and Denver leaves the youthful emotions of youthful debauchery piece of dance, songs that are not only well done if not that manage to convey to the public absent an energy to those who saw it as duo: the innocence of Milton and Maria is still there, 
a bit hidden behind a stop with more confidence, but that is read back in shyness to sing, marked by a low sound of voices but a technical glitch seems to be a kind of brand, a small shelter with a euphoric this assistance is standing in front of their seats singing every song as if it were the last. To closure could not be less, who with a detailed set design, plus paper and glitter falling from the second floor, put the icing on the cake, a Mena by merely leaving the scene brings to most of the participants against stage who filled the front seats, standing up even to those who had shown more demure with the previous numbers, but the show is far superior to what had touched me to see Javiera, with a marked improvement in the way of singing , away from those nasty vocals cut for lack of air, at least I already had my quota and the great rediscovery Gepe is Denver and it takes only a few songs that although you do not like Miss Mena, you're able to realize why sweeps. 
